Festival Flyer

FESTIVAL HIGHLIGHTS: Yuja Wang Encore

Festivals and gigs. A listings calendar, plus previews, news, reviews, and photos



#classicalmusic #piano #keyboard

Yuja Wang (Chinese: 王羽佳; pinyin: Wáng Yǔjiā;[1] born February 10, 1987) is a Chinese classical pianist. She was born in Beijing, began studying piano there at age six, and went on to study at the Central Conservatory of Music in Beijing and the Curtis Institute of Music in Philadelphia. By the age of 21, she was already an internationally recognized concert pianist, giving recitals around the world. She has a recording contract with Deutsche Grammophon. Wang tours internationally, and has received critical praise for her performances. Yuja Wang lives in New York City.
In 2008, Wang toured the U.S. with the Academy of St Martin in the Fields led by Sir Neville Marriner. In 2009, she performed as a soloist with the YouTube Symphony Orchestra, led by Michael Tilson Thomas at Carnegie Hall. Wang performed with the Lucerne Festival Orchestra conducted by Claudio Abbado in Beijing, the Royal Philharmonic Orchestra in Spain and in London, and the Hong Kong Philharmonic Orchestra.
In 2009, Wang performed and recorded Mendelssohn’s Piano Concerto in G Minor with Kurt Masur at the Verbier Festival, accompanied by Kirill Troussov, David Aaron Carpenter, Maxim Rysanov, Sol Gabetta, and Leigh Mesh. Her performance of Rimsky-Korsakov’s “Flight of the Bumblebee” is featured on the Verbier Festival highlights DVD from 2008.
In 2012, Wang toured with the Israel Philharmonic Orchestra and conductor Zubin Mehta in Israel and the U.S., with a performance at Carnegie Hall in New York in September.
Wang toured Asia in November 2012 with the San Francisco Symphony and its conductor Michael Tilson Thomas.
In February 2013, Wang performed and recorded Prokofiev’s Concerto No. 2 and Rachmaninoff’s Concerto No. 3 with Conductor Gustavo Dudamel and the Venezuelan Orquesta Sinfónica Simón Bolívar. Also in 2013, Wang’s recital tour of Japan culminated with her recital debut at Tokyo’s Suntory Hall.
Wang made her Berlin Philharmonic debut in May 2015, performing Sergei Prokofiev’s 2nd Piano Concerto with Conductor Paavo Järvi. The performance was broadcast live through the orchestra’s Digital Concert Hall.
In a departure from her previously predominantly Russian repertoire, she played Mozart’s Piano Concerto No. 9, the Jeunehomme, in February 2016 at David Geffen Hall in New York on four successive nights with Charles Dutoit conducting, then, in her debut with the Vienna Philharmonic under Valery Gergiev in Munich and Paris. In March 2016, Wang played for three nights in Messiaen’s Turangalîla-Symphonie with Esa-Pekka Salonen conducting. In a recital at Carnegie Hall in May 2016, she played Beethoven’s Piano Sonata No. 29, the Hammerklavier, and two Brahms Ballades and Robert Schumann’s Kreisleriana.
The piano is a keyboard instrument with strings struck by wooden hammers coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using its keyboard, which is a row of keys (small levers) touched by the performer with the fingers and thumbs of both hands, causing the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700.
The English word piano is a shortened form of the Italian pianoforte, derived from clavicembalo col piano e forte (“key cimbalom with soft and loud”). Variations in volume (loudness) are produced in response to the pianist’s touch (pressure on the keys): the greater the pressure, the greater the force of the hammer hitting the strings, and the louder the sound produced and the stronger the attack. Invented in the 1700s, the fortepiano was the first keyboard instrument to allow gradations of volume and tone according to how forcefully or softly the player presses or strikes the keys, unlike the pipe organ and harpsichord.
A piano has a protective case surrounding the soundboard and metal strings, strung under great tension on a heavy metal frame. Pressing one or more keys causes a hammer made of wood or plastic, padded with firm felt, to strike the strings. The hammer then rebounds from the strings, which vibrate at their resonant frequency. The vibrations are transmitted through a bridge to a soundboard that amplifies the sound by coupling the acoustic energy to the air. When the key is released, a damper stops the string’s vibration, ending the sound.
Most notes have three strings, except for the bass, which graduates from one to two. The strings are sounded when keys are pressed or struck, and silenced by dampers when the hands are lifted from the keyboard. Although an acoustic piano has strings, it is usually classified as a percussion instrument rather than as a stringed instrument, because the strings are struck rather than plucked (as with a harpsichord or spinet); in the Hornbostel–Sachs system of instrument classification, pianos are considered chordophones. There are two main types of piano: the grand piano and the upright …
Steinway & Son’s
Grand Piano
Yamaha

source

32 Responses

  1. Probabilmente il suo modo di abbigliarsi è fatto per conquistare un pubblico più giovane alla Musica Classica, cioè per motivi di marketing (ma non è la sola a farlo). Non vedo altra spiegazione alla sua smania di ostentare il meglio del proprio corpo, a meno che non si tratti di personalità narcisista che si diverte a creare imbarazzo negli uomini presenti ai concerti in compagnia di mogli, fidanzate e figlie e scambiati, forse, per insospettabili "guardoni".
    Io penso che se la grande Arte musicale ha bisogno di farsi apprezzare anche attraverso la bellezza anatomica delle sue interpreti, allora il valore spirituale, universale ed eterno del suo messaggio non può che essere in forte declino.
    Non è una critica verso la Wang, che pure è in gamba ma non credo sia la n.1 in fatto di tecnica, è solo un legittimo dubbio sull'opportunità che la grande Musica romantica del secondo Ottocento, ad esempio, possa essere testimoniata con le modalità di una soubrette o di una showgirl a vecchi appassionati di settanta, ottant'anni e più la cui visione della vita va ben oltre la robusta muscolatura a livello quasi inguinale della Wang (sia detto con rispetto).

  2. The whole thing had to end in the shit of jazz music.
    Who is not able to find the light in classical music lands in the stinky garbage of jazz.

    Poor Yuja, you were so precious.

  3. Her dresscode mania shows so much of her intimate personnality ………….

  4. covorca says:

    Can"t deny, I adore a tight encore…

  5. Entre beaucoup d'autres… moins sexy et joué avec beaucoup plus de musicalité, mais beaucoup moins rentable pour le business…:
    https://youtu.be/_ci4DnCcFuE
    ou encore: https://youtu.be/_3dvG8UxOXg

  6. Una grande musicista come lei mi la aspetterei un poco piu vestita ,per carità e anche molto carina ma la grande musica va rispettata un poco di più .

  7. Where was the audience? In front or behind of her? I guess in front.

  8. Dear X, keep dancing salsa, but don't stick your nose (along with a cute Chinese girl) into classical music! You are ready to vulgarize everything in this world, make the whole world "young", "pretty", "half-naked"! It is incredible the incredible amount of enthusiastic comments among the Spanish-speaking atheists who first visited the churches and then admired the half-naked pseudo-pianists on the Internet!

  9. 0:30 too many musicians play on the sensitive chord and express their suffering through their music. what Yuja transmits is all we need: energy, joy, playfulness, pride, empathy etc. nothing bad and only good.

  10. Back seats are more expensive in her concerts.

  11. Она играет как Бог, поэтому может себе позволить все что угодно,любой наряд, любой каприз!

  12. Вика says:

    Ее игра-издевательство над Музыкой

  13. KaspianoCZ says:

    Everybody who clicked just because of that bow, like and live in sin!

  14. Genijalna pijanistkinja!❤❤❤💐👏👏👏
    Jos malo treba da usavrsi hod na štiklicama od 20cm

  15. Prodigieuse et talentueuse pianiste Yuja Wang 👏👏👏👏👏👏👏.

  16. Title of the encore, please!

  17. She’s charismatic and mesmerizing with super quality piano performance. We love all she brings 👏🏼👏🏼👍🎼🎶🫶🏼Ms Yuja Wang is a “super star 💫 “

  18. Clara Ivey says:

    the thumbnail made we want to
    cry why did you chose that 😭

  19. Wobbly says:

    Note how athletic she looks. That's why she had the endurance to play all Rachmaninoff concertos in one go.

  20. Have not notice before but she is got the most beautiful set of legs, and she is very proud to be beautiful; never seen that beauty before in a Lady classical pianist, but I Love her music !. Yuja will live forever!!

  21. Cookiehead says:

    Eight Concert Études op.40 – #3: Toccatina

  22. W Mac says:

    That was awesome!

  23. Wang is a show girl and turns every recital into a Yuja show. She has been successful with this for years, is celebrated and earns good money. Wang embodies a piece of American culture: sex sells. While modern, emancipated female musicians become (very good) conductors and female orchestra musicians and singers defend themselves against sexual harassment by male conductors, for example, Wang regresses to a sexy girl á la Hollywood, plays half-naked and presents herself in costumes like those worn by hookers on the street.

  24. A video with a wonderful perspective: The Chinese woman presents her plump ass wrapped in a super tight dress to the camera. The Yuja show for connoisseurs.
    The best thing would be for Ms. Wang to put together a full-length programme from her circus pieces, to thrill a jeering audience.

  25. MMD says:

    Dlaczego ta piękna i uzdolniona kobieta nie przewodzi paradom ekshibicjonistów, tylko niszczy odwieczną , tajemniczą i uroczystą atmosferę sal koncertowych?

  26. 7050em says:

    Why to ask more…Pleasure of Listening and Pleasure of Looking ❤🤩⭐️

Leave a Reply to MMDCancel reply

Discover more from Festival Flyer

Subscribe now to keep reading and get access to the full archive.

Continue reading