In an enthralling instalment of Stalwarts of Music, graciously presided over by Aditya Veera, an engaging discourse unfolds with the eminent luminaries Richie Kotzen and Tony Das. This noteworthy episode marks the momentous occasion of the first Indian premiere of “Winery Dogs Album III”, featuring none other than Richie Kotzen.
The conversation begins with excitement about Richie’s upcoming world tour with The Winery Dogs and the release of their much-awaited third album.
Aditya smoothly shifts the topic to Richie’s early musical beginnings. Richie fondly remembers his childhood music gatherings, where a Beatles poster ignited his passion for music. This marked the start of his musical journey, with guitar lessons paving his way forward.
Aditya turns the conversation to the new album III produced and mixed by Jay Ruston. Richie discusses the intricate details that make the album special, showcasing the trio’s commitment to perfecting their harmonious blend. Aditya then delves into The Winery Dogs’ synergy, with Richie describing the unique connection between members that results in an irreplaceable musical harmony.
Aditya skilfully explores Richie’s stage charisma and asks if his music aims to bring joy. Richie explains that his music connects with listeners emotionally, going beyond happiness to touch on vulnerability and empowerment.
Aditya transitions smoothly, focusing on Richie’s stage presence and his captivating performances. He asks if Richie’s music aims to evoke joy, and Richie explains the emotional connection his music creates. The conversation shifts to the significance of rock music within communities, with Richie describing its diverse spectrum, from powerful to gentle, and how it transcends cultural boundaries.
Aditya then highlights Richie’s extensive discography, spanning about 22 solo albums, and Richie humbly acknowledges his creative evolution driven by authenticity. The topic turns to spirituality’s influence on Richie’s artistry, and Richie emphasizes simplicity over complex discourse.
They discuss whether Richie considers himself naturally gifted, and Richie modestly downplays innate talent, emphasizing the interplay of personality and fate. Passion and the profound connection between self and music take centre stage.
Aditya and Richie share their appreciation for Philly soul music and Hall & Oates, discussing Richie’s evolution as an artist prioritizing creativity, songcraft, and collaborative learning.
Julia Lage, Richie’s wife and artistic partner, becomes the focus. Richie admires her skills as a vocalist, bassist, and composer, describing their musical journey and collaborations. Their partnership extends to a recent collaboration with Iron Maiden’s Adrian Smith, with Julia’s bass amplifying their artistry alongside drummer Bruno Val Verde.
Tony Das, guitar player for Thermal and a Quarter, Peepal Tree, a music aficionado, and dedicated follower of Richie’s work, enters the conversation. With deep respect, Tony shares stories of his admiration, his words resembling musical notes. He mentions Richie’s signature Telecaster guitar, which he admires and has tried to replicate. Richie shows interest in trying the instrument himself in the future.
Tony recalls the Orange festival in Dambuk where he was supposed to play and meet Richie. The memories of the festival bring back positive feelings for Richie, who expresses his strong wish to perform in India again.
Tony’s story continues, revealing how he stumbled upon Richie’s music through the “Guitars That Rule the World” compilation album. A particular track called Chype Fluxx stands out as a showcase of Richie’s guitar skills. Richie’s unique style captivates Tony, resonating with him and fitting well within the harmonies of Mr. Big’s music.
Tony explores Richie’s journey in singing, uncovering how he shifted from singing in groups to taking on lead vocals. Richie’s influences, like Sly and the Family Stone, Parliament-Funkadelic, and Rod Stewart, shaped his vocal style. This evolution peaked around the Fever Dream period, showcasing his dedication to vocals.
The conversation changes pace once more, following Richie’s journey from using a pick to embracing fingerstyle playing. In South America, he accidentally dropped his pick, which led to a new phase of fingerstyle mastery. This technique expanded his musical range. The discussion peaks with “Mad World,” a composition highlighting Richie’s impressive range of tones. He shares insights about trill passages, attack, and muting techniques that create a captivating blend of sounds.
The conclusion of the conversation delves into Richie’s gear setup, which creates a magical blend of tones. As a proficient virtuoso, Richie Kotzen’s artistic voyage resembles a beautifully balanced composition, brimming with genuine, candid, and endlessly innovative elements.
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One Response
This is awesome! I am a big Tony Das fan!