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FESTIVAL HIGHLIGHTS: Kadakh Hindi Film Review : National Film Festival 2018

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National Film Award : Special Mention

It all begins as an entirely viable drama and then rough a third of the way through the film it descends into a farcical caper. Sunil is alone at home and then a stranger knocks at his door. He says that they are related “by blood” and asks to come inside. A reluctant Sunil invites him in and offers him tea. Only for the stranger to reveal that he’s husband of Chhaya, the woman with whom Sunil is having an affair. The stranger proceeds to kill himself.

Sunil’s wife arrives at home and sees the corpse. Sunil does not want his wife to know that he’s having an affair, so he claims that the dead stranger is someone whom he fired recently. She buys the lie, and they conceal the body in a large wooden chest, just in time for the guests to arrive in their flat for the sumptuous Diwali party that they couple are throwing.

Each guest brings a new subplot along, including an elated friend who just landed a publication deal (played by the filmmaker Rajat Kapoor himself), an unpleasant elderly couple donning surgical masks and a pretty French lady who happens to be a “mentallist” (a person who read minds; her vaguely creepy and credible performance is one of the highlights of the film). To Sunil’s despair, weven Chhaya eventually decides to show up in search of her husband.

In the final third of the film, the deeply twisted values of each guest begin to surface. People are far more concerned about their job, their success, their appearances and even a Vietnamese vase than about a human life. These people are all complicit of each other in their corruption. They are “a-moral”, which is clarified by the means of in intertitle in the very beginning of the film.

All in all, Kadakh is an auspicious caper. The action is fast-faced enough to keep you hooked during the 96 minutes of duration.

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