Big Reference and Aircooled support a sweat-drenched, one-night eruption presented by Hastings Fat Tuesday
Words and pictures by Sara-Louise Bowrey
A One-Off Built for Chaos — and Hastings Got the Call
Hastings was handed a rare and riotous privilege: Babyshambles’ first live show in 11 years. The battleground was the White Rock Theatre Studio — the venue’s smaller, sweat-slicked room built for chaotic, no-frills rock ’n’ roll.
Announced only weeks in advance, the show sold out almost instantly, proving that hunger for Babyshambles is still very real.
This wasn’t just another gig. It was a carefully engineered one-off curated by the team behind Hastings Fat Tuesday — the town’s beloved five-day, Mardi-Gras-meets-indie-chaos festival. The night served three purposes at once:
- a crucial warm-up for Babyshambles’ upcoming UK reunion tour
- a benefit for the Nick Alexander Music Trust
- an early ignition spark for HFT’s full 2026 return
Before Babyshambles detonated the room, two of Hastings’ most essential acts set the tone and reminded everyone why this coastline keeps punching above its cultural weight.
Big Reference: Indie Pop, Lightness, and Grit
Founded in 2023 and led by magnetic husband-and-wife duo Hannah and Trevor Deeble, Big Reference opened the night with a set that felt raw, immediate, and beautifully locked-in.
Operating as a tightly wired trio, their sound blends sharp hooks with emotional clarity — indie pop that keeps its heart exposed but never shies away from grit.
Fully dialled into their own quietly defiant groove, this was far more than an opening slot. It was a statement: Big Reference have arrived, and they’re here to stay.
Aircooled: Supergroup Pedigree and High-Energy Immersion
If Big Reference brought warmth, Aircooled brought pure pedigree. With members tied to The Jesus and Mary Chain, The Wedding Present, and Elastica, they hit the Studio like a force of nature.
Churning guitars, a relentless rhythm section, and total stage command turned the room into a pressure cooker.
Aircooled didn’t just play the Studio — they steamrolled it.
Babyshambles: Shambolic, Swaggering, Completely at Home Again
By the time Babyshambles took the stage, the atmosphere had thickened into something electric and unpredictable. Pete Doherty, never one for convention, dissolved the barrier between band and audience before the first chord even rang out — drifting into the crowd to hawk signed copies of his poetry book and turning the crush at the front into a chaotic pre-show book signing.
Then, at long last, the core four stepped onto a stage built for exactly this:
tight confines, distorted edges, sweat, danger, and total immediacy.
Doherty looked relaxed, mischievous, and unnervingly at ease — like he’d simply slipped back into his natural habitat. The band tore straight into “Pipedown,” the ragged, righteous edges perfectly reflecting what a Babyshambles comeback should feel like: dangerous, unpolished, but absolutely alive.
Fan favourites “Fuck Forever” and “Side of the Road” triggered full-throttle sing-alongs — the kind where the crowd knows they’re witnessing something they’ll still be talking about a decade from now.
More Than a Gig: A Cultural Signal Fire for the Coast
That this historic return happened in Hastings — driven by the grassroots energy of Hastings Fat Tuesday, woven with fundraising for the Nick Alexander Music Trust — gives the night a cultural charge far beyond the setlist.
It was a reminder that coastal towns don’t just host culture.
They build it. They fight for it. They keep it alive.
With HFT returning in full this February, this sweat-drenched one-off now stands as its unofficial ignition point — a brilliant, messy spark on the fuse leading straight into the band’s reunion tour.
If this was only the prelude, the main event is set to land with serious force.
