The Guardian festival blog: End of the Road review – irony versus revolution in majestic musical battle | Music
‘So how many of you have visited the existential cafe?” Father John Misty, fountain of surrealist stage banter, is working his charms on the End of the Road crowd. “We’ll be there later,” he adds. “I’m doing a seminar on alpaca shaving.” In his previous incarnation as an emotionally fragile singer-songwriter, Josh Tillman would have made a solid afternoon fixture on a woodland stage at this beloved Wiltshire festival. Reborn as Father John Misty, he’s a show-stealer: a theatrical cynic and apocalyptic oracle of indeterminate sincerity. He’s also incorrigibly irreverent, and likely the festival season’s only headliner to introduce a rousing folk-rock anthem with a rambling ode to Gore-Tex boots.
The anthem in question, While You’re Smiling and Astride Me, spotlights Tillman’s penchant for melodramatic self-satire (“You see me as I am, it’s true / Aimless fake drifter and the horny manchild momma’s…
Straight from The Guardian
(image courtesy of http://www.rosestallard.com/)
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