Thirty-five years ago, the first Womad festival introduced global styles to rock and folk audiences. It was a financial disaster. Today, it is thriving and almost overcrowded with good music, as 35,000 people gathered in an increasingly mud-clogged Charlton Park to watch close to 100 acts from some 50 countries. Highlights of a strong lineup included ska veterans Toots and the Maytals singing Pressure Drop in a rainstorm, China’s avant-garde Zhou Family Band imitating chicken noises, the Tanzania Albinism Collective touchingly showing how music has helped them face stigma and health challenges, and an a cappella treatment by Australia’s Spooky Men’s Chorale of Picture in a Frame by Tom Waits. But the major theme was fusion, and there were new combinations of the ancient and contemporary from around the globe.

From Europe, there was the long-awaited debut by Xáos, a Greek-UK experimental band led by Nick “Dubulah” Page…



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Straight from The Guardian
(image courtesy of http://www.rosestallard.com/)

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