Thirty-five years ago, the first Womad festival introduced global styles to rock and folk audiences. It was a financial disaster. Today, it is thriving and almost overcrowded with good music, as 35,000 people gathered in an increasingly mud-clogged Charlton Park to watch close to 100 acts from some 50 countries. Highlights of a strong lineup included ska veterans Toots and the Maytals singing Pressure Drop in a rainstorm, China’s avant-garde Zhou Family Band imitating chicken noises, the Tanzania Albinism Collective touchingly showing how music has helped them face stigma and health challenges, and an a cappella treatment by Australia’s Spooky Men’s Chorale of Picture in a Frame by Tom Waits. But the major theme was fusion, and there were new combinations of the ancient and contemporary from around the globe.
Straight from The Guardian
(image courtesy of http://www.rosestallard.com/)
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